Second piece of advice is that the sooner you start, the better. With them, so if you want to go live in Japan, YOU need to make the You won’t be hired if you cannot communicate Unfortunately finding Japanese production staff who can understandĮnglish is very rare. The first advice I usually give to people is: learn Japanese. What’s your advice for people who want to work in anime in Japan? Note, I have also highlighted the ones that are relevant to help you answer your question. There is also another article by Brian Ashcraft, from Kotaku, which details an interview with Thomas Romain, a french animator, and his experience in working in Japan.īelow are quotes from that article that I thought might be useful. The studio, which focuses on 3D animation, turns off its The program presented Polygon Pictures as a studio with better operations. JAniCA reported in 2015 that 759 animators it surveyed earned an average of 3.3283 million yen (about US$27,689) per year in Japan inĪn interesting point to note from the article is following, He said that he wants to concentrate on oneĪnime at a time, but he has to work on two television anime to have Production I.G co-founder, president, and CEO Mitsuhisa Ishikawa remarked that the anime industry lacks people with the businessĢ0-year veteran anime technical director Taiki Nishimura reported in May that his monthly income is 100,000 yen (about US$900) for eachĪnime that he works on. He reported having 100 overtime hours in one month.īelow image shows that the animator started work at 11:30 a.m. Japan Animation Creators Association (JAniCA) reported in 2015 that animators averaged 11 working hours per day, and they had justĪn animator who left his job due to work-related depression kept an overtime log. Therefore, they can onlyĮxpect to earn about 100,000 yen (US$911) per month. In-between animators receive about 200 yen (US$2) per illustration ![]() Well as merchandising and distribution rights, profits from animeĪ 30-minute work requires more than 3,000 illustrations. Because production committees hold IP licenses, as The small yellow bars represent the portion that The episode showed a graph of increasing annual profits in the anime industry. ![]() Representative Naoki Atsumi, and announcers Shinichi Taketa and Izumi Anime director Yasuhiro Irie (Fullmetal Alchemist:īrotherhood, Code:Breaker), Toray Corporate Business Research The episode discussed theįinancial problems of the industry and exposed animators' subpar NHK's Close-Up Gendai+ program aired an episode about the dark side of the anime industry on Wednesday. More specifically, the article talks about a specific episode from a NHK program called Close-Up Gendai+.īelow are quotes from the ANN article which talk about the financial and working condition issues that were aired on that specific episode, In ANN there is an article, written by Jennifer Sherman, which talks about the financial and working condition
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